
Partylounge, 07/2024

Correalistic Rocker, designed 1942 by Friedrich Kiesler for the Gallery of Peggy Guggenheim "Art of this Century", New York

re-designed by Wohnkultur66 & Konrad Friedel, Vienna, 2022, oak, oiled and leather "elderberry" (red) and "deepwater" (blue) - the next edition will be available march 2023



Correalistic Instrument, designed 1942 by Friedrich Kiesler for the Gallery of Peggy Guggenheim "Art of this Century", New York

re-designed by Wohnkultur66 & Konrad Friedel, Vienna, 2022, oak, oiled and leather "elderberry" (red) and "deepwater" (blue) - the next edition will be available march 2023

every Instrument + Rocker will be delivered with the matching second level glass-shelf and mounting sticks






Mergentime Chair, 1933





Bedcouch, 1936


Correalistisches Instrument + Rocker, 1942



Freischwinger, 1934


Partylounge, 1936, Fabric: Blans by Hanne Vedel, Spindegarden




FRIEDRICH KIESLER (1890–1965)
The Austrian architect Friedrich Kiesler emigrated to America in 1926 and was an extraordinary avant-gardist and radical modernist. This is reflected, for example, in his concept for Peggy Guggenheim’s Gallery in New York, for which the Correalistic Instrument was conceived. The private Friedrich und Lilian Kiesler-Foundation supervises his furniture collection produced by Wittmann in Austria.
FRIEDRICH KIESLER (1890-1965)
Der österreichischer Architek Friedrich Kiesler wanderte 1926 nach Amerika aus und war ein außergewöhnlicher Avantgardist und radikaler Modernist. Dies spiegelt sich zum Beispiel in seinem Konzept für Peggy Guggenheims Galerie in New York wider, für die das Correalistic Instrument konzipiert wurde. Die private Friedrich und Lilian Kiesler-Stiftung betreut seine von Wittmann in Österreich produzierte Möbelkollektion.
All photos: Andreas Weiss, www.andreasweiss.org